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Homosexual adolescents may not know why they feel different. The Extra Terrestrial Quiz – Which Character Are You?.La La Land Quiz – Which Character Are You?.Hot Fuzz Quiz – Which Character Are You?.To Kill a Mockingbird Quiz – Which Character Are You?.“Who thought that would not work?” Probably Woody Allen.
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“ Bullets Over Broadway-look at that,” he exclaimed. I sincerely doubt It’s Only A Play will end up on that wall, but O’Brien reminded me that glorious piles of advance sales can disappear if a show turns out to be disappointing. It gives him a healthy sense of perspective. I want to say to people, ‘Stop stoning me for that fucking Strindberg, or whatever was supposed to be so wonderful!” I pointed out that the purely fictional Springtime For Hitler (last presented by Lane and Broderick, of course) must be the only time when people actually did try to create a flop-and even that backfired!Īs I left, O’Brien was remarking that he always likes to have at least three posters on Joe Allen’s walls (which are covered with images from Broadway’s biggest disasters). We’re not feeding that.”Īs for the fascinating crapshoot involved in doing a show, which is the theme of this play and one that hovers over it as they rehearse: “Nobody starts out to do a bad play on purpose. “Yeah, you do,” replied O’Brien, “and we’re not doing that. “But you sort of expect ‘Nathan Lane and Matthew Broderick’ to be featured in a big box on top of the marquee,” I noted. But it’s the process that the play’s really about-what’s happened to Broadway, and how it’s changed.”Īs for the surprisingly egalitarian alphabetical billing of the cast, “It’s sort of worked out OK-particularly for Murray,” O’Brien laughed. If you’re in this room for dinner, even if you don’t work in the theater, five or six names will be tossed. Said he, “A lot of names are dropped in that way that we do. I happen to boast a similar sense of undying humility, so I kept probing about this play, asking director Jack O’Brien about the work they’re doing on it. “I’m the anti diva,” replied Channing, blithely. Murray Abraham, chirped that Nathan’s “the engine” of this production-“which is hard for me to say since I’m usually the engine.” Īt the same get-together, Stockard Channing said the play involves real teamwork, like dribbling and passing-“but no holding!” (Except maybe each other for support.) “Are you a diva?” Theater Talk’s Susan Haskins asked the Tony-winning star in a provocative conversational gambit at our table. This time, no one’s quitting, for any reason.Īt the event, McNally said he and Lane “have gotten older and wiser together,” while another Play star, Oscar winner F. I wonder in whom?) and Mullally scuttling a different McNally revival four years ago when she quit, reportedly because she thought her male costar’s stage chops were woefully inadequate and the director wasn’t reacting ferociously enough to this crisis.
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I can only hope there are new references to McNally’s and Lane’s bumpy friendship (I guess they’ve buried the hatchet again. Having seen the original, I can assure you it was a hoot and deliciously studded with behind-the-scenes namedropping. “The play is hilarious and says some profound things about contemporary Broadway,” declared Lane at a press event last week at Joe Allen (the theater hangout which itself is a character in the show). It’s The Producers meets Grease! on the road to Will & Grace-sort of. McNally’s 1982 comedy It’s Only a Play is coming to Broadway in an updated version, and with a dream cast that includes Nathan Lane, Matthew Broderick, Stockard Channing, and Megan Mullally. And he has a touch of the farceur in him, too. Ī male we can love, Terrence McNally has written gay-beloved classics like Love! Valour! Compassion! and Master Class, as well as the recent AIDS drama Mothers and Sons. Her death shortly before Stonewall links her forever to modern gay history.
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Her pain surrounding “The Man That Got Away” also speaks to us, along with her love of guys with lots of eyeliner-sometimes to the point of marrying them! Judy’s vulnerability made her a quivering gay icon, as did the fact that for years, she kept on going, able to belt out one more song despite the rigors of the business that always tried to squeeze more juice out of her brilliance. The woman who could tear your heart out with a melody and some moist eyes, Judy appeals to the outcast in us, as we long to go over the rainbow and find acceptance and a pot of gold. The 12 most fabulous gay icons of all time (female division) are… So let’s bring on the femme adoration and celebrate the idols most worth gay-genuflecting in front of through eternity. Who says gay men don’t love women? We worship them, as long as they’re famous, talented, and have some kind of aesthetic that reaches out to our inner diva.